Rainy Mountain |
The "Way" To Rainy Mountain: |
A Review of a Historical Reconstruction |
| In his book,The Way To Rainy Mountain, N.Scott | ![]() |
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| Momaday constructed a unique platform from which to view the | ||
| cultural history of the Kiowa Indians. It is a platform that reflects | ||
| Momaday's own background, sense of purpose and subsequent | ||
| approach to the subject. Momaday is a Kiowa Indian by birth, | ||
| and yet he was educated formally in the mainstream American | ||
| culture of the 1950s and 60s. Furthermore, Momaday is not a | ||
| historian, that is, he was not trained in the profession; rather, he is | ||
| a literary artist and a professor of English. With a few unexpected twists and turns, | ||
| Momaday utilizes sources from both the Kiowa and the dominant culture, as well as his own | ||
| memory, imagination and the tools of his trade, to reconstruct his own ancestral heritage. | ||
| Momaday begins his book by acquainting his audience with verifiable facts about the |
| Kiowa's past. He tells of how the Kiowa migrated in the early 18th century from |
| ...the headwaters of the Yellowstone River eastward to the Black | ||
| Hills and south to the Wichita Mountains [in what is currently | ||
| southwestern Oklahoma. It is there, says Momaday, that]...a | ||
| single knoll rises out of the plain...[which serves as a landmark for | ||
| the homeland of the Kiowas], to which...they gave the | ||
| name...Rainy Mountain.1 |
| It is at this point in the narrative that Momaday begins to stray from convention by revealing | |
| the allegorical nature of his text. He informs us that | |
| _______________ | |
| 1. N. Scott Momaday, The Way To Rainy Mountain, | |
| (Albuquerque: University of New Mexico Press, 1969), p. 4. | |