Early Days
Born in Klein, TX
(a small town named after his great-grandfather, a Bavarian weaver
called Adam Klein, which later became a Houston suburb), Lovett
was raised on his family horse ranch. He didn't begin his musical
career until he began writing songs while he attended Texas A&M
University in the late '70s, where he studied journalism and German.
While he was a student, he performed covers and original songs at
local folk festivals and clubs. As a graduate student, he traveled
to Germany to study and continued to write and play while he was
in Europe. However, he didn't begin to pursue a musical career in
earnest until he returned to America in the early '80s.
Rise
Upon his return to the States, Lovett played clubs
throughout Texas, eventually landing a spot in the 1983 Mickey Rooney
TV-movie Bill: On His Own. The following year Nanci Griffith,
whom Lyle had interviewed for a school paper while he was in college,
recorded his If I Were the Woman You Wanted on her Once
in a Very Blue Moon album. He also sang on the album as well
as her 1985 record Last of the True Believers. Guy Clark
heard a demo tape of Lovett's songs in 1984 and directed it toward
Tony Brown of MCA Records. Over the next year, MCA worked out the
details of a record contract with Lyle. In the meantime, he made
his first recorded appearance on Fast Folk Magazine, Vol. 2 #8 later
in the year. Lovett signed with MCA/Curb in 1986, releasing his
eponymous debut later in the year. Lyle Lovett received
excellent reviews, and five of its singles (Farther Down the
Line, the Top Ten Cowboy Man, God Will, Why
I Don't Know, and Give Back My Heart) reached the
country Top 40.
Style
Despite his strong showing on the country charts,
it was clear from the outset that Lovett's musical tastes didn't
rely on country, though the genre provided the foundation of his
sound. Instead, he incorporated jazz, folk, and pop into a country
framework, pushing the musical boundaries of each genre. Pontiac,
his second album, revealed exactly how eclectic and literate Lovett
was. Greeted with overwhelmingly positive reviews from both country
and mainstream publications upon its 1987 release, Pontiac
expanded his audience in the pop and rock markets. The album charted
in the lower reaches of the pop charts and slowly worked its way
toward gold status. While his pop audience grew, his country fan
base began to shrink. She's No Lady and I Loved You
Yesterday both made the Top 30, but after those two songs,
none of his other singles cracked the country Top 40.
Stardom
It didn't matter that Lovett's country audience
was disappearing. Pontiac had gained enough new fans in
the pop mainstream to guarantee him a strong cult following. To
support Pontiac, he assembled His Large Band, which was
a modified big band complete with guitars, a cellist, a pianist,
horns, and a gospel-trained backup singer named Francine Reed. Lovett
recorded his third album, Lyle Lovett and His Large Band, with his
touring band. Like its two predecessors, the album was well-received
critically upon its early 1989 release, and it performed well commercially,
peaking at number 62 and eventually going gold. Perhaps because
of the album's eclectic, jazzy sound, the album produced only one
minor country hit in I Married Her Just Because She Looks Like
You, but his straight rendition of Tammy Wynette's Stand
by Your Man received a great deal of attention in the media.
Following the release of His Large Band, Lovett settled out in California,
which signaled that he was abandoning country. After settling in
Los Angeles, he spent the next two years collaborating and working
on his fourth album. In 1990, he produced Walter Hyatt's King
Tears album; the following year, he sang on Leo Kottke's Great
Big Boy and donated a cover of Friend of the Devil
to the Grateful Dead tribute album Deadicated. Also in
1991, he made his acting debut in Robert Altman's The Player,
which was released in the spring of 1992. A few months after The
Player hit the theaters, Lovett's fourth album, Joshua
Judges Ruth, was released. Boasting a heavy gospel and R&B
influence, Joshua Judges Ruth was his most successful album
to date, peaking at number 57 and going gold. On the whole, the
album was ignored by country radio, but pop audiences embraced the
record, and Lovett became a staple on adult alternative radio and
VH1.
Despite the success of Joshua Judges Ruth,
Lovett became a near-superstar for a completely different reason
in 1993: his surprise marriage to actress Julia Roberts. Upon the
announcement of their marriage, Lovett became the subject of many
gossip segments and tabloid stories, elevating him to a level of
fame he had not experienced before. Lyle's first project after his
marriage was a role in Altman's 1993 film Short Cuts. He
didn't release another album until the fall of 1994, when I
Love Everybody hit the stores. A collection of songs Lovett
wrote in the late '70s and early '80s, I Love Everybody
continued his move away from country, and it was the first record
he had released that didn't expand his audience in some way. After
it entered the charts at number 26, it disappeared 13 weeks later,
failing to go gold.
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I offer no reason, I
ask for no pity,
I make no excuse for the way that I am.
~ Lyle Lovett
Promises
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Lovett and Roberts divorced in the spring of 1995,
and Lyle began to retreat from the spotlight somewhat, spending
the remainder of the year touring and writing. Lovett re-emerged
with The Road to Ensenada, the first album since Pontiac
to be dominated by country songs, in the summer of 1996. In addition
to performing well on the pop charts, where it entered at a career
peak of number 24, The Road to Ensenada performed strongly
on the country charts, entering at number four. The two-disc covers
album Step Inside This House followed in 1998, featuring
mostly underexposed material penned by some of Lovett's favorite
songwriters (many of whom hailed from Texas). In 1999, Lovett issued
his first concert record, Live in Texas, and his soundtrack
to the Altman film Dr. T. & the Women followed a year
later.[2]
Tidbits
His small-town life was again
brought to the public's attention on March 28, 2002 when Lyle was
trampled by a bull on his uncle's farm in Klein. Lyle attempted
to aid his uncle, Calvin Klein, and was caught by the bull and rammed
into a fence before being pulled to safety by two friends. While
the injury was serious, Lyle made a full recovery after six months
and began touring again in the summer of 2003.[3]
[1]
Lyle_Lovett3.jpg {{fair use in|http://www.lylelovett.net/}}.
The image is only being used for informational purposes
(student project).
[2] [http://www.vh1.com/artists/az/lovett_lyle/bio.jhtml]
[3] [http://en.wikipedia.org/wiki/Lyle_Lovett]
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