Early Days
Nelson and his sister, Bobbie
Nelson, were raised by their grandparents after their father died
and their mother ran away. Willie played the guitar, while Bobbie
played the piano. She met Bud Fletcher, a fiddler, and both siblings
joined his band while Willie was in high school. After graduation,
Nelson joined the Air Force, but left due to back problems. Eventually,
he became a DJ at a country radio station in Fort Worth,
Texas, while singing locally in honky tonk bars.
Early Career
In 1956, Nelson moved to
Vancouver, Washington to begin a musical career by recording Lumberjack
by Leon Payne. The single sold respectably but did not establish
a career. Nelson continued to DJ and sing in clubs, and sold a song
called Family Bible for fifty dollars; the song was a hit
for Claude Gray in 1960, has been covered widely, and is often considered
a gospel music classic.
Nelson moved to Nashville, Tennessee but was unable to land a record
label contract. He did, however, receive a publishing contract at
Pamper Music. After Ray Price recorded Nelson's Night Life
(reputedly the most covered country song of all time), Nelson joined
Price's touring band as a bassist. While playing with Ray Price
& the Cherokee Cowboys, many of Nelson's songs became hits.
Funny How Time Slips Away (Billy Walker), Hello Walls
(Faron Young), Pretty Paper (Roy Orbison) and, most famously,
Crazy (Patsy Cline) became popular songs in the 1960s.
Nelson signed with Liberty Records in 1961 and released several
singles, including the hits Willingly (with his wife, Shirley
Collie) and Touch Me. He was unable to keep his momentum
going, though, and Nelson's career ground to a halt. Demo recordings
from his years as a songwriter for Pamper Music were later discovered
and released as Crazy: The Demo Sessions (2003). His personal
life during this period was also colorful, to say the least. His
alcoholism, failed day jobs, and penchant for carrying guns got
him in trouble with the law and his wife a number of times.
|
| |
When the evenin' sun
goes down
you will find me hangin' 'round.
Oh, the night life, it ain't no good life,
but it's my life.
~ Willie Nelson
Night Life
|
| |
|
Rise
In 1965, Nelson moved to
RCA Records and joined the Grand Ole Opry, followed by a series
of minor hits. Frustrated with the music business which tried to
force him into a mold, Nelson retired and moved to Austin,
Texas. While in Austin, with its burgeoning hippie music scene
(see Armadillo
World Headquarters), Nelson decided to return to music. His
popularity in Austin soared, as he played his own brand of country
music marked by rock and roll, jazz, western swing, and folk influences.
A lifelong passion for running and a new commitment to his own health
also began during this period.
Living
Legacy
Signing with Atlantic Records,
Nelson released Shotgun Willie (1973), which won excellent
reviews but did not sell well. Phases and Stages (1974),
a concept album inspired by his divorce, included two hit singles,
Bloody Mary Morning and After the Fire is Gone.
Nelson then moved to Columbia Records, where he was given complete
creative control over his work. The result was the critically acclaimed,
massively popular concept album, Red Headed Stranger (1975).
Though Columbia was reluctant to release an album with mostly just
a guitar and piano for accompaniment, Nelson (with the assistance
of Waylon Jennings) insisted and the album was a huge hit, partially
because it included a popular cover of Blue Eyes Crying in the
Rain (Roy Acuff).
Along with Nelson, Waylon
Jennings was also achieving massive success in country music in
the early 1970s, and the pair were soon combined into a genre called
outlaw country ("outlaw" because it did not conform to
Nashville standards). The term was coined by a country music journalist,
and cemented with the release of Wanted: The Outlaws! (1976 with
Waylon Jennings, Jessi Colter, and Tompall Glaser), country music's
first platinum album. Nelson continued to top the charts with hit
songs during the late 1970s, including Good Hearted Woman
(a duet with Jennings), Remember Me, If You've Got
the Money I've Got the Time, Uncloudy Day, I Love
You a Thousand Ways and Something to Brag About (a
duet with Mary Kay Place). In 1978, Nelson released two more platinum
albums, Waylon and Willie (a collaboration with Jennings
that included one of Nelson's signature songs, Mammas Don't
Let Your Babies Grow Up to Be Cowboys) and Stardust,
an unusual, string-based album of pop songs produced by Booker T.
Jones. Though most observers predicted that Stardust would
ruin his career, it ended up being one of his most successful LPs.[2]
[1]
Main_willie.jpg {{fair use in|http://www.gactv.com/artists/wnelson.html}}.
The image is only being used for informational purposes (student
project).
[2]
[http://en.wikipedia.org/wiki/Willie_Nelson]
|